Narrative Objects: A panel discussion on the artist’s novel, presented June 14

601 W. 26th Street, Suite 1755

New York, NY 10001

212-243-2735

www.601Artspace.org


When you open a novel –and I mean of course the real thing- you enter into a state of intimacy with its writer… Such a writer has power over distraction and fragmentation, and out of distressing unrest, even from the edge of chaos, he can bring unity and carry us into a state of intransitive attention.

Saul Bellow, The Distracted Public, 1994

 

601Artspace presents Narrative Objects: A discussion about the artist’s novel, audience, and protracted engagements.  In its most common form, the novel involves a coherent sequence that unfolds around an interrelated set of characters. Taking his novel Illusion as a starting point, artist David Maroto proposes a dual purpose for the artist’s novel: For the artist, the novel serves as a conceptual proposition, linking narratives within other art projects and generating new ideas, but as an artwork in and of itself, the artist’s novel acts as a more humble contribution to the sweeping history of literary prose. Joined by Christopher Ho (artist, curator and author) and Alexander Campos (Center for Book Arts), the panel will discuss how the artist’s novel measures up against other novels and whether increasing interest in the novel among visual artists is intended to counteract tendencies of perpetual distraction. The panel will be moderated by Erin Sickler (601Artspace). Related books and other materials from the participants will be available at the event.


Alexander Campos has over 20 years experience in Arts Management, with positions at the Whitney Museum of American Art, The New Museum of Contemporary Art, the Brooklyn Museum of Art, The Bronx Museum of the Arts, and the Jamaica Center for Arts and Learning. Since 2004 he has serve as executive director of the Center for Book Arts, during which time he has organized numerous major exhibitions and overseen the expansion of the Center’s Visual Arts Program.

Christopher K. Ho’s conceptual work examines the possibilities and parameters of advanced art today.  For his 2010 solo exhibition at Winkleman Gallery, Regional Painting, Ho created a series of paintings and an eponymous memoir under the guise of a fictional alter ego, painter Hirsch E.P. Rothko, all while living for a year in a license plate covered shed in the southwest mountains of Colorado.

David Maroto is a Spanish artist based in The Netherlands whose work has been shown internationally. His wide-ranging practice has led him to exhibit his work on psychoanalysis at the Freud Dreams Museum in St Petersburg, whereas his 8-year project to create a board game lead tot he inclusion of his project Disillusion at the Internationale Spieltage in 2006 (Essen, Germany) and other game fairs worldwide.  Illusion represents Maroto’s newest interdisciplinary work.

Erin Sickler is Director of Curatorial Programs at 601Artspace.


We greatly acknowledge the Consulate General of Spain for their support of this event.

 

 

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