Category Archives: Narrative Sequences

First Circle

SIGN – Tentoonstellingsruimte voor Jonge Kunst

From 10th September to 9th October 2011

Winschoterkade 10 , 9711EA – Groningen. The Netherlands.  Tlf 050-3132651 

Open: Tue-Sat 12.00 – 17.00h + Sun 14.00 – 17.00h

http://sign2.nl

www.noorderlicht.com

Sign -tentoonstellingsruimte voor Hedendaagse Beeldende Kunst- is pleased to present First Circle, David Maroto’s first solo show devoted to this long-term project. After the Second Circle project (2005-06, which took place in TENT. Rotterdam, and W139 Amsterdam), David embarked in the development of its twin circle, which both precedes and is a continuation of it. First Circle is centered in the crossover between visual arts and literature -more concretely narratives, with a distinctive psychoanalytical approach. This is the first exhibition in which different works from First Circle have been gathered together. A selection that consists of the series Close-up Cut-outs, the installation Seven Masks, and the sound piece An Echo.

Close-up Cut-outs are a series of four large-sized prints that have been cut out by hand. They always depict a scene with two faces in the middle of a dialogue. The characters are made up of a collage of different faces. Their words, which are displayed in a text balloon, come also from adapted quotations that range from philosophical citations and poems to pop songs. As figures without a background, these pieces are a mixture between image, object and space. The architectural environment where they are displayed each time becomes their new, always changeable, background. Since many missing pixels within the images have been removed as well, it is possible to see the space through the cut-outs, which become in this way integrated into the spatial context.

Seven Masks is a long narrative sequence along which public walk with an accompanying sound track in a mp3 player with headphones. Unlike video and film, where pictures “move” while spectator’s body remains still, in Seven Masks the spectator is compelled to move in the space in order to introduce time within the visual material and, in so doing, activate its narrative elements. Also, unlike video and film, the soundtrack is not synchronized in forehand. It is up to the spectator to relate sound and images by walking at a faster pace, coming back and forth, and so on. This system opens up the work for spectator’s interpretation through their active participation.

An Echo reflects a situation through which any of us has been in any moment of our lives: when we hear from a friend an idea that we already said some time before and which was refuted by that very same friend back then. And now he is trying to convince us about his new ideas without remembering that we are the source where they come from.

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The Un(framed) Photograph

Group show in Center for Book Arts. July 6th – September 10th. Opening reception Wednesday, July 6th


28 West 27th Street, 3rd Floor
New York, New York 10001
(212) 481-0295

The exhibition focuses on how the art of photography, the photographic process, and related media such as video stills are used to convey content, form, text, and image within a broader context of book arts practices. Artworks featured in this exhibition represent a broad range of book and related arts, including but not limited to books, prints, sculpture, mixed-media installation, new media, and performance art. I am participating with two of my leporellos with accompanying soundtrack.

Organized by Alexander Campos, Executive Director, and Doug Beube, Mixed-Media Artist and Photographer, Curator of the Allan Chasanoff Book Works Collection, and Adjunct Professor in the Department of Photography at Parsons New School of Design.

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Open Studios in ISCP

12th – 15th May 2011

www.iscp-nyc.org

The International Studio & Curatorial Program (ISCP) Spring Open Studios is a four-day exhibition of international contemporary art. The 36 artists, artist collectives and curators from 25 countries currently in residence at ISCP will present work in their studios. Open Studios offers the public access to innovative contemporary art practices from across the globe – seen for the first time together in New York City – providing an exceptional opportunity to engage with the production, process and archives of artists working with a diverse range of mediums, approaches and concepts.

I showed some recent works and projects carried out during my residence period. Among which my new narrative installation Casa Diógenes.

“David Maroto, unique in the ISCP context with his approach and interested in actively engaging the observer in the performative moment which leads to the completion of the storyline as well as opening it up to new readings. In his installation Casa Diogenes (2011) it is through an accumulation of images and textual reference that the personal history of the protagonist unfolds. The poetic and inter-textual qualities of the soundtrack and the images, create a world in which memory, identity and space are accumulated.” Fleur van Muiswinkel. Article appeared in Metropolis M.

Download Newspaper


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Book launch (leporellos) at PrintRoom

Saturday December 18th 2010, 16.00 – 18.00

PrintRoom, Schietbaanstraat 17, Rotterdam

Please join us for an informal afternoon with book launches by David Maroto, who will present two new leporellos: Seven Masks and A Dream_Teeth, followed by the presentation of The Book of Paper by Antje Peters and Oliver Helfrich. PrintRoom will serve glühwein and cakes and the shop will be open until six.

David Maroto’s leporellos are books that contain narrative sequences of images that unfold over several meters. They come accompanied by a sound track in an mp3 player with headphones. Unlike video and film, where pictures “move” while the spectator’s body remains still, in David’s narrative installations and leporellos the pictures are printed and still, while the spectator is compelled to move his body in the space in order to introduce time within the visual material and, in so doing, activate its narrative elements. Also, unlike video and film, the soundtrack is not synchronized beforehand; it is up to the spectator to relate sound and images. This narrative system, according to the author, gives more room to spectator’s interpretation.

PrintRoom is a platform dedicated to artists’ publications, the small press and self-publishing projects by artists and designers, based in Rotterdam.

Thursday – Saturday 13.00 – 17.00
and by appointment: 06-1801247
8

www.printroom.org

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New Publications

Article appeared in [lacan.ru]

On my solo show Hyper-palimpsest, in Freud Dreams Museum, St Petersburg. By Natalia Shapkina (pp 64-67)


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Sublime #24. Sobre la defensa / About defense

Contribution to publication. Issue launched during 29th edition of ARCO, 17th-21st February 2010.

www.sublimeart.net

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Kabinet X. Freud Dreams Museum, St Petersburg

Contribution to publication. To commemorate the 10th anniversary of Freud Dreams Museum

www.freud.ru

Natalia Shapkina

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Hyper-Palimpsest

Solo exhibition in Freud’s Dreams Museum
Saint Petersburg. Bolshoy pr. Petrogradskaya storona, 18A

11th October – 7th November 2009

 

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The exhibition displays a number of printed works, which are digital collages consisting of an accumulation of superimposed layers that form a complex tangle of images, texts and meanings –like a hyper-palimpsest. This term was coined by Russian linguist Andrey Zaliznyak to refer to the Novgorod Codex, an 11th century old book unearthed on July 13, 2000 in Novgorod (not far from St Petersburg) in which hundreds of texts have left their traces on an almost inextricable tangle. The contents of the digital collages are deeply rooted in psychoanalytical concepts. Psychoanalysis is used here as a tool to reflect on the nature of subjectivity, which ultimately leads to the disclosure of any boundary between the subject and the Other as a primary illusion. This is why all the characters that appear in my works are invaded by their surroundings in both a physical and psychical way, as if the world passing through them would fulfill their fundamental lack. For this exhibition all my printed works have been gathered and showed together for the first time.

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Thanks to the generous support of

logoembajada

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Lecho de Muerte

Group show in Corrosia! Almere (NL)

2nd October – 15th November 2009

I participate with Seven Masks, an installation formed by a long narrative sequence (16,74 meters x 49 cm) that public walk along with an accompanying sound track in a mp3 player with headphones.

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You can get a detailed impression of Seven Masks and its sound track in the section Narrative Sequences.

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Walls and Gateways

Group exhibition in Existentie, Ghent (Belgium)

June 2008

Other participanting artists: Brody Condon, Liam O’ Callaghan, Davide Bertocchi, Julia Oschatz, Vargas Suarez-Universal, Lode Geens, Filip Berte, Nathaniel Rackowe and Mihail Milunovic.

Curated by Lara Pan

I participate with the video installation A Dream_Teeth and the narrative installation Mimicry, in a new version: printed in posters, which are displayed in four stacks and available for public to take home.

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