Tag Archives: installation

Illusion Reading Room

Project for 11th Havana Biennial, within the project Open Score

La Habana, Cuba 

From May 11 to June 11, 2012

Centro Hispanoamericano de la Cultura. Malecón 17 e/ Prado y Cárcel

www.bienalhabana.cult.cu

Illusion Reading Room is a participative installation: there is a pile of 500 copies of my novel Illusion and two armchairs. In one of them, a permanent reader is reading out loud from the novel. Public are welcome to take one copy of the novel with them for free. It is only asked to do one thing in exchange: to sit down in the vacant armchair and take it over from the reader, by reading out loud a few pages for the rest of the audience. In this way, public become part of the installation as temporary performers, and the novel is read continuously without interruption throughout the whole duration of the Biennial.  

Video summary Illusion Reading Room. 5′ 55”, English subtitles.

Illusion Reading Room es una instalación participativa. En el espacio se encuentran dos sillones, uno de ellos vacante. En el otro hay una persona leyendo la novela Illusion en voz alta. Entre los dos sillones hay una pila formada por 500 ejemplares de Illusion. Se invita al espectador a tomar de la pila un ejemplar de la novela, gratis, siempre y cuando se siente en el sillón vacante y lea en voz alta unas cuantas páginas. Durante lo cual el lector permanente para de leer y guarda silencio. De este modo, el espectador se convierte en agente activo y performativo, leyendo pasajes para los otros espectadores que en ese momento se encuentren en el espacio de la instalación. Asimismo, la novela es leída sin interrupción durante la duración de la Bienal.

Vídeo resumen Illusion Reading Room. 5′ 55”, subtítulos en castellano.

” For over 405 years, from July 25th, 1518 until March 3rd, 1924, the Holy Qur’an was perpetually recited, day and night, in the Department of Mohammed’s Cloak in the Topkapi Palace, in Istanbul.” 

Thanks to the generous support of Mondriaan Fund

Thanks also to the work of the permanent readers, actresses from the theater company El Ciervo Encantado: Nelda Castillo, Mariela and Inés

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First Circle

SIGN – Tentoonstellingsruimte voor Jonge Kunst

From 10th September to 9th October 2011

Winschoterkade 10 , 9711EA – Groningen. The Netherlands.  Tlf 050-3132651 

Open: Tue-Sat 12.00 – 17.00h + Sun 14.00 – 17.00h

http://sign2.nl

www.noorderlicht.com

Sign -tentoonstellingsruimte voor Hedendaagse Beeldende Kunst- is pleased to present First Circle, David Maroto’s first solo show devoted to this long-term project. After the Second Circle project (2005-06, which took place in TENT. Rotterdam, and W139 Amsterdam), David embarked in the development of its twin circle, which both precedes and is a continuation of it. First Circle is centered in the crossover between visual arts and literature -more concretely narratives, with a distinctive psychoanalytical approach. This is the first exhibition in which different works from First Circle have been gathered together. A selection that consists of the series Close-up Cut-outs, the installation Seven Masks, and the sound piece An Echo.

Close-up Cut-outs are a series of four large-sized prints that have been cut out by hand. They always depict a scene with two faces in the middle of a dialogue. The characters are made up of a collage of different faces. Their words, which are displayed in a text balloon, come also from adapted quotations that range from philosophical citations and poems to pop songs. As figures without a background, these pieces are a mixture between image, object and space. The architectural environment where they are displayed each time becomes their new, always changeable, background. Since many missing pixels within the images have been removed as well, it is possible to see the space through the cut-outs, which become in this way integrated into the spatial context.

Seven Masks is a long narrative sequence along which public walk with an accompanying sound track in a mp3 player with headphones. Unlike video and film, where pictures “move” while spectator’s body remains still, in Seven Masks the spectator is compelled to move in the space in order to introduce time within the visual material and, in so doing, activate its narrative elements. Also, unlike video and film, the soundtrack is not synchronized in forehand. It is up to the spectator to relate sound and images by walking at a faster pace, coming back and forth, and so on. This system opens up the work for spectator’s interpretation through their active participation.

An Echo reflects a situation through which any of us has been in any moment of our lives: when we hear from a friend an idea that we already said some time before and which was refuted by that very same friend back then. And now he is trying to convince us about his new ideas without remembering that we are the source where they come from.

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Open Studios in ISCP

12th – 15th May 2011

www.iscp-nyc.org

The International Studio & Curatorial Program (ISCP) Spring Open Studios is a four-day exhibition of international contemporary art. The 36 artists, artist collectives and curators from 25 countries currently in residence at ISCP will present work in their studios. Open Studios offers the public access to innovative contemporary art practices from across the globe – seen for the first time together in New York City – providing an exceptional opportunity to engage with the production, process and archives of artists working with a diverse range of mediums, approaches and concepts.

I showed some recent works and projects carried out during my residence period. Among which my new narrative installation Casa Diógenes.

“David Maroto, unique in the ISCP context with his approach and interested in actively engaging the observer in the performative moment which leads to the completion of the storyline as well as opening it up to new readings. In his installation Casa Diogenes (2011) it is through an accumulation of images and textual reference that the personal history of the protagonist unfolds. The poetic and inter-textual qualities of the soundtrack and the images, create a world in which memory, identity and space are accumulated.” Fleur van Muiswinkel. Article appeared in Metropolis M.

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Deiska ~the Complete Collection

Rozengracht 114, Amsterdam

28th May to 27th June 2010

The complete collection of [De is Ka] is shown to public for the first time in a temporary exhibition organized in conjunction with Art Amsterdam. I participate with the installation 6+6 and 12 Tales Machine.

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GAGARIN The Artists in their Own Words

Group exhibition in S.M.A.K. Museum of Contemporary Art, Ghent (Belgium)

4th December 2009 – 14th March 2010

S.M.A.K. is showing a unique & comprehensive exhibition with works of the participating artists of GAGARIN, confronting their textual contributions from the complete GAGARIN oeuvre with works from the museum and special loans. The exhibition includes work by Marc Manders, Allora & Calzadilla, Edith Dekyndt, Lois Weinberger, Philippe Van Snick, Juan Muñoz, Gabriel Kuri, Jimmie Durham, Kirsten Pieroth, Maria Serebriakova, Richard Serra, Willem Oorebeek, Manfredu Schu, Joe Scanlan, Ria Pacquée and others. I participate with Disillusion, which will be in play (during the opening evening only) and display (throughout the show).

On 13th March it will be possible to play Disillusion again, during the event “S.M.A.K. going GAGA”

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Lecho de Muerte

Group show in Corrosia! Almere (NL)

2nd October – 15th November 2009

I participate with Seven Masks, an installation formed by a long narrative sequence (16,74 meters x 49 cm) that public walk along with an accompanying sound track in a mp3 player with headphones.

Corrosia-01

7Masks_walking-04

7Masks_1person-06

7Masks_2person-04

You can get a detailed impression of Seven Masks and its sound track in the section Narrative Sequences.

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Walls and Gateways

Group exhibition in Existentie, Ghent (Belgium)

June 2008

Other participanting artists: Brody Condon, Liam O’ Callaghan, Davide Bertocchi, Julia Oschatz, Vargas Suarez-Universal, Lode Geens, Filip Berte, Nathaniel Rackowe and Mihail Milunovic.

Curated by Lara Pan

I participate with the video installation A Dream_Teeth and the narrative installation Mimicry, in a new version: printed in posters, which are displayed in four stacks and available for public to take home.

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